Books: 

Austin, T. (2002). Hollywood hype and audiences: Selling and watching popular film in the 1990s. Manchester University Press.

Barnes, A., & Hearn M. (1999). Tarantino a to zed: The films of Quentin Tarantino. B T Batsford Ltd.

Mayshark, J. (2007). Post-pop cinema: The search for meaning in new American film. Praeger.

Palmer, W. (2009). The films of the nineties: The decade of spin. Palgrave Macmillan.

Perren, A. (2013). Indie, inc.: Miramax and the transformation of Hollywood in the 1990s. University of Texas Press.

Sickels, R.C. (2010). American film in the digital age. Praeger.

Speed, L. (2017). Clueless: American youth in the 1990s. Routledge.

Thompson, K.M. (2007) Apocalyptic dread: American film at the turn of the millennium. SUNY Press.

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Reference: 

Eagan, D. (2009). America's film legacy: The authoritative guide to the landmark films in the National FilmRegistry. Bloomsbury Publishing.

Lewis, J. (Ed.). (2001). The end of cinema as we know it: American film in the nineties. NYU Press.

Locke, B. (2009). Racial stigma on the Hollywood screen from World War II to the present: The orientalist

buddy film. Palgrave Macmillan. https://doi.org/10.1057/9780230101678

Phillips, K. (2008). Controversial cinema: The films that outraged America. Praeger.

Tzioumakis, Y. (2017). American independent cinema. Edinburgh University Press.

White, J. (2009). Fifty key American films. Routledge.

Winn, J.E. (2013). The American dream and contemporary Hollywood cinema. Continuum.

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Databases: 

JSTOR. (2022). JSTOR. https://www.jstor.org/ 

Project Muse. (2022). Project Muse. https://muse.jhu.edu/  

Screen Studies Collection. (2022). ProQuest. https://about.proquest.com/en/products- services/Screen-Studies-Collection/ 

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Journals: 

Film Quarterly. (ND). Film Quarterly. https://filmquarterly.org/ 

JCMS. (2021). Journal of Cinema and Media Studies. https://quod.lib.umich.edu/j/jcms/ 

Journal of Film and Video. (ND). JSTOR.org. https://www.jstor.org/journal/jfilmvideo 

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Articles: 

Guerrero, E. (1991) Black film: Mo'better in the '90s. Black Camera, 6(1), 2-3. https://www.jstor.org/stable/27761425

Lynch, J.D. (2000). Therapeutic discourse and ACOA films of the '80s and '90s. Journal of Film and Video,

51(3/4), 48-60. https://www.jstor.org/stable/20688220

Perren, A. (2001). sex, lies and marketing: Miramax and the development of the quality indie blockbuster. Film

Quarterly, 55(2), 30-39. https://doi.org/10.1525/fq.2001.55.2.30

Schopp, A. (2003). The practice and politics of "freeing the look": Jonathan Demme's The Silence of the Lambs.

Camera Obscura, 18(2), 125-151. https://muse-jhu-edu.lynx.lib.usm.edu/article/46380

Terkla, D & Reed, T.L. (1997). "I'm gonna git medieval on your ass": "Pulp Fiction" for the 90s--the 1190s.

Studies in Popular Culture, 20(1), 39-52. https://www.jstor.org/stable/23414599

Wee, V. (2005). The Scream trilogy, "hyperpostmodernism," and the late-nineties teen slasher film. Journal of

Film and Video, 57(3), 44-61. https://www.jstor.org/stable/20688497 

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Websites: 

Internet Movie Database. (ND). IMDB.com. https://www.imdb.com/ 

Oscars. (2022). Oscars.org. http://www.oscars.org/

American Film Institute. (2022). AFI.com. http://www.afi.com